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    <loc>https://www.sebastienhameline.com/case-studies-1</loc>
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    <lastmod>2026-03-24</lastmod>
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      <image:title>Case Studies - 16K90, dynamic range, wow a real camera!</image:title>
      <image:caption>In the field, with the new Blackmagic Immersive camera. After so many years of pioneering immersive capture with the technology available at a given time, it is refreshing to finally be able to use a camera designed for the professionals of the immersive community.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1767453845812-5Z8Z52FN2SWI3X0NQQDB/image-asset.jpeg</image:loc>
      <image:title>Case Studies - 16K90, dynamic range, wow a real camera!</image:title>
      <image:caption>In the field, with the new Blackmagic Immersive camera. After so many years of pioneering immersive capture with the technology available at a given time, it is refreshing to finally be able to use a camera designed for the professionals of the immersive community.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529530250301-74JR1PIEYVX1EIYYLTDA/IMG_1085.JPG</image:loc>
      <image:title>Case Studies - Cruising in the garden of the king</image:title>
      <image:caption>This was during the filming of the Hulu VR Series On Stage, the Phoenix episode. There was no garantee until we showed up at the castle of Versailles that they would let us shoot. They wanted to see the remote control car and make sure we would not damage any royal belongings with it…</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1767454551886-SJ6J3J1V57N2TIFQ3361/ee1edbc0-8a11-4b18-825d-e7e745cf6ea8.JPG</image:loc>
      <image:title>Case Studies - Focus Focus Focus</image:title>
      <image:caption>As the lead immersive capture for the Meta Series Red Rocks Live in VR (immersive series on Meta Quest), I designed a framework to make sure I can guarantee the success of the capture to my producer. But some of it is old comes to old school photography physics and basics.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529536107213-ODHEYY0YM6SEHF18SZN1/IMG_9023.JPG</image:loc>
      <image:title>Case Studies - My kingdom for a car</image:title>
      <image:caption>Very often, especially on on location shoots, we’ll have to prep the gear in unexpected places, at unexpected times. In this situation, we arrived at 2am in the hotel next to the castle of Versailles, and we had to re-built our remote control car (the Mantis 360) in the hall way of the bedrooms, to be ready to roll out at a 7am call. The night was short, but we got amazing footage (Hulu VR On Stage: Phoenix, directed by Jeff Nicholas).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529537634600-O2F75PYVUC1LQ2FK5WY4/IMG_1084.JPG</image:loc>
      <image:title>Case Studies - In the Hall of Mirrors</image:title>
      <image:caption>Next morning inside the castle of Versailles… The representent met us early at the entrance. She frowned while inspecting our weird looking robot. Until she saw its ultra waxed tires, she granted smilingly that we drive it around.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529537645953-NKIYMVV89HLHVHXD0GWS/IMG_9030.JPG</image:loc>
      <image:title>Case Studies - "When we can all we want, it is not easy to only want what we owe" - Louis XIV</image:title>
      <image:caption>Just because… I will never get over having the opportunity to shoot and drive this thing in the castle of Versailles.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529530257048-FSJ0DDL23GLHF6OS9IIX/IMG_1182.JPG</image:loc>
      <image:title>Case Studies - Alessia Cara VR360 BTS documentary</image:title>
      <image:caption>This was a very quick trip to Barcelona, Spain, where I directed this doc/BTS for Alessia Cara’s new song “Growing Pains”. We had 4x different types of camera, including an underwater VR rig, and a Mantis sent to us on the last day from London. I hope I can shoot more of those, and create more cool intimate content with talented artists like her.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529530727845-0PGEZ1IFR4RXEOI5OJTK/IMG_4725.JPG</image:loc>
      <image:title>Case Studies - Fastened your seatbelt</image:title>
      <image:caption>I rigged this one in Los Angeles, and flew to Vegas, where I met the helicopter over there. We were going to cover a race, and I could only imagine my camera rig having taken its own life with a sky dive above the 5 Freeway. It eventually made it safely to Vegas.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529530752908-D2I5CI7ON3YD8AYVRLBI/IMG_5191.JPG</image:loc>
      <image:title>Case Studies - Meeting Tony Hawk</image:title>
      <image:caption>The challenge with him, like many other clients, was that he was exposed to VR prior to this project, which resulted in an unsatisfactory result for him. I had come up with a variety of options to capture him and his team of professional skaters in VR, which eventually led to a fun collaboration.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529530759704-LVKNJGY6O5NG9XLUYDP3/IMG_5193.JPG</image:loc>
      <image:title>Case Studies - In the eyes of the Hawk</image:title>
      <image:caption>Tony was pretty excited to try this one out. I had the camera rig a little forward, to allow the view of his skate board in the front while the viewer looks down.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529536766042-7T2AWJ2KKF04103A7CSS/IMG_7660.JPG</image:loc>
      <image:title>Case Studies - The Jaunt Mantis</image:title>
      <image:caption>This has not been done that much, putting Jaunt 1 on a Mantis 360, due to the heavy payload, and challenging balance process. We were still able to get it done. This was during prep.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529530796013-0F5K8SLO3TFYK5ICX3ZH/IMG_7678.JPG</image:loc>
      <image:title>Case Studies - Wish Upon</image:title>
      <image:caption>This is that previous set up during the shoot. This was for Wish Upon, the VR experience (available on youtube, Oculus,… etc).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529530778016-HS7DVTKVYZLAYEWR5C8C/IMG_5302.JPG</image:loc>
      <image:title>Case Studies - Tan Wei Wei Blah Blah</image:title>
      <image:caption>This was shot for a popular Chinese singer, directed by VR director Lex Halaby. We shot her in quadrants, where she would sing different part of the song in different wardrobe. We had to make sur the amount of overlap would suffice to do the trick, while maintaining lighting continuity (as much as we could).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529530779157-KKLQUEQ0XZ1MT6T6KNV8/IMG_5510.JPG</image:loc>
      <image:title>Case Studies - Quest Nutrition</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529536718479-BIO1Z1938T6OGTGVWDY9/IMG_8765.JPG</image:loc>
      <image:title>Case Studies - Walking Within</image:title>
      <image:caption>This was an improvised indie short, shot in Los Angeles. No particular challenges, besides finding cool camera placements and locations, while having our talent performing in view of the VR experience.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529536736483-GK6WYY4T9H55ZJAQRM06/IMG_6914.JPG</image:loc>
      <image:title>Case Studies - Think Common</image:title>
      <image:caption>This one was a livestream gig with Rapper Common. Pretty straightforward, except trouble shooting the tech side of it.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529536792174-Y5QLC8DNPL9A51A26QYP/IMG_7128.JPG</image:loc>
      <image:title>Case Studies - Freeway hack</image:title>
      <image:caption>I shot a short movie for an Israeli company a few weeks before. They needed extra time-lapse B-roll of Los Angeles, so they provided me a hacked Gear 360 (that had an intervalometer hardwired to it), and plenty of Uber rides. It was a little bit of a marathon because how the city is spread out, but working with a small camera for once was kind of nice.</image:caption>
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      <image:title>Case Studies - Rim to the Pacific</image:title>
      <image:caption>This was shot for the Pacific Rim 2 VR experience. I flew to Australia last minute to the Fox Australia (Sidney) lot. The difficulty here was that the main team was shooting the movie, so we had to be ready at any time to shoot, without missing an opportunity, and give ourselves enough time to reach the control pod, set up the Mantis, rehearse the move with the actors….etc.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529537335584-X7YXVWHUPIGJJOA6MPZ7/IMG_4725.JPG</image:loc>
      <image:title>Case Studies - Double POV, double troubles</image:title>
      <image:caption>This was a commercial for Coke, shot in Mexico City. The creative concept had us shoot back to back in VR360, and traditional 2D POV. Making sure each rig was ready any time we needed it and keeping up with the pace was crucial. When not on VR duties, I was pulling focus for our 2D operator.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529537345120-JD1HRZDXAWGCQZTVTXYV/IMG_5410.JPG</image:loc>
      <image:title>Case Studies - Lollamon</image:title>
      <image:caption>We covered Lollapalooza when Pokemon Go was buzzing all around, which inspired the concept of this one. Music festivals and VR are always the toughest gigs. It is the most straining physically, and the most demanding on the tech, which only asks to fail when used extensively. In this picture, I am rigging a camera pretty high above the crowd, that will later capture the Red Hot Chili Peppers.</image:caption>
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      <image:title>Case Studies - On Stage with Major Lazer</image:title>
      <image:caption>This is in Kingston, Jamaica. Part of the documentary Hulu VR Series On Stage. This episode focuses on Major Lazer (available on Hulu VR, Oculus). I’ve never had so many VR cameras covering one concert. We had 2 units shooting different things at different time for a few days, the concert being the grand finale where everyone was present.</image:caption>
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      <image:title>Case Studies - Organized Chaos</image:title>
      <image:caption>This is the one of many on location-bedroom prep. We had to get the prep (since we didn’t really have time to check everything before departure) and troubleshoot done before our pre-rigging time. This kind of prep always spices up life, as we have to fix things on the spot with knowledge and whatever is in that room!</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529537652699-E1FWY10TAL7GLZGZIZDI/IMG_9462.JPG</image:loc>
      <image:title>Case Studies - "If the ride is more fly, then you must buy." - Snoop Dogg</image:title>
      <image:caption>We were shooting the behind the scenes of his music video shoot. The mood and scent of the set pretty much matched what one can expect from this legendary performer…</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529688186622-6L6SB52QX1TZAMIQME7F/IMG_1523.JPG</image:loc>
      <image:title>Case Studies - The Wild West</image:title>
      <image:caption>Even though virtual reality has been around since the 70’s, its cinematographic language is at an early stage, which some of us refers to as the wild west of VR. Very often, and per project basis, we will be confronted to new challenges, that will invite us to experiment with new tech, and / or modify existing technology to improve the VR experience, and this starts during the capture. Here, we are testing the custom motion control system from Marc J Visuals (partner in in crime), and how well motion can be translated in a 360 environment, and how fast.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1529688196683-LZT1OVXGD156TR2ZWYMG/IMG_0951.JPG</image:loc>
      <image:title>Case Studies - Testing testing testing, repeat</image:title>
      <image:caption>Choosing the right camera for the project is one deciding factor that will provide a successful delivery. There is no camera than can do it all. And the best way to truly know which one is the right tool is with testing and experience using as much of the cameras out there as possible, to know what is possible to achieve, and what is not. The tech changing so often, it is good practice to test new tools whenever possible. On that same trip, we are testing this S1 Pro to see how well it can capture the detail of a complex environment.</image:caption>
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      <image:title>Case Studies</image:title>
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      <image:title>Case Studies - 7 Miracles</image:title>
      <image:caption>This was from 7 Miracles VR feature movie, shot in partnership with Vive Studios, in Rome and Matera, for one month. We had almost every rig available from Radiant Images, that I partially prepped right before leaving. All was shipped there, and I finished the prep in Rome. Because of the length of the shooting, the challenge here was to remain alert on any technical issue that could develop overtime on the gear, and make sure what we were filming ended up in the can. There would not be any re-shoot. The movie was premiered at the Raindance Film Festival, and won best VR Film.</image:caption>
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      <image:title>Case Studies - Jesus!</image:title>
      <image:caption>With the amount of takes over the course of one month on 7 Miracles, I had been logging each shot, take, VFX data, camera settings.. on an ipad slate app, and would generate a spreadsheet slate log, that would be very useful during post production, to help identify and input correct numbers that softwares need to create depth, warp lenses, key frame certain things…etc.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1538957837222-XGJ9V906XT7EN6HNAFI2/4f36c12098483004b3f628ac42d2f995.jpg</image:loc>
      <image:title>Case Studies - "You shall know the truth, and the truth shall set you free"</image:title>
      <image:caption>7 Miracles was a pretty technical project for a number of reasons. But it is also the first VR feature project giving a shot at integrating 6 DOF (degree of freedom) for some of the scenes. We used a custom rig to shoot some of the talent in stereography, that would be later recomped in some of the scenes.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1568134931931-IL5PZGJCR7Y1EY66HC6N/IMG_4769.JPG</image:loc>
      <image:title>Case Studies - “In July the ant works, the dragonfly flaunts.”</image:title>
      <image:caption>Working with Drones in VR presents its own set of challenges for technical reasons and creative ones. Getting a drone pilot that understands how to move a VR camera is essential. The team work with the drone team becomes. an interesting tango every time. This was taken while shooting a project with my friends at DragonFly UAS, in Texas.</image:caption>
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      <image:title>Case Studies</image:title>
      <image:caption>This project was shot in India. We had a smaller crew, so my assistant and I tag teamed to do the flying missions. We used my custom 3D printed VR drone mount and rented a small Mavic drone at the location, and I installed it there. Although smaller camera set up for this configuration won’t be as define as a larger camera rig, it remains a great tool to bring up the production value, and get shots we would not be able to get any other way.</image:caption>
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      <image:title>Case Studies - Pura Vida</image:title>
      <image:caption>This project was a really cool documentary, shot in Costa Rica. We took 2x planes, and drove for 1h30 through unpaved road, crossing 4 rivers before arriving in the Osa Peninsula preservation center. The most challenging aspect was the unpredictable weather. Shooting in 360, it was very hard to schedule our shoot. I wanted, since pre-production, to rig a camera in a tree, but I didn’t expect to climb such a high tree in the Rainforest (and I had never climbed before). I got stuck for an hour up there, while the rain was pouring hard. A lot got checked on the “not done yet” list on that one.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1587081589025-8AXL1FIKVQKMQJWWU5SJ/DSC00669.JPG</image:loc>
      <image:title>Case Studies - "Everybody is candle true. But not everybody is lit."</image:title>
      <image:caption>Although they are ways in VR to light in a traditional fashion, and strategize shots to paint off lighting, sometimes we can’t. That was the case for the Special Olympic series I worked on. Being a doc style project, sometimes we did not have control at the locations. So I would wrap a flexible light right under the camera to get a fill on the face of our talents. Not always most natural, but a fun game of dialing the dimmer and adding diffusion will get you close.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1587083197086-GEAC4ET6G7EJF5IN9BMH/TAF_3024.JPG</image:loc>
      <image:title>Case Studies - "You only live once, but you get to serve twice. "</image:title>
      <image:caption>This was the first episode I shot for the Special Olympics series, directed by Dirk Wallace. This UK segment features tennis player Lily Mills. The whole project was a great experience, and gave me the opportunity to improve myself shooting VR everyday for almost 3 months across the globe. Like many doc style projects, the challenges were to capture a story with people we had never met, in places and (some) countries we had never been. But adding to that the fact we were dealing with kids that had some degree of disability, and having to solve specific technical and creative issues to VR on the spot. In the picture, I am “scouting” the different positions of the rover, as during the shooting I will be hiding somewhere, out of sight, which is the challenging part of operating the Mantis.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1587083781368-9NJBHDDRY5J7J6DC67T1/london_rig.jpg</image:loc>
      <image:title>Case Studies - Invisible threads are the strongest ties.</image:title>
      <image:caption>Rigging in VR is extremely complex, it is an art form in itself, and often requires custom designs to make it work, and each projects might need a different solution (rigging of a balcony, as opposed to inside a car, or a golf cart, inside a plane, faking a subjective POV…etc). Because of the nature of 360 (we see everything), finding a way to securely rig the camera with a minimum footprint is a key component the immersive quality of the final experience. The picture is also taken from the Special Olympics. I wanted to get a time-lapse from the top floor of our hotel, but there was a large top preventing me from accessing the open view. Fortunately, I had brought my 360 rigging kit, and had everything needed to get the optimum camera placement.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1765979623055-ZL7THOOE97FEZAJRM4H4/IMG_70A2646BDA37-1.jpeg</image:loc>
      <image:title>Case Studies - Homelander (to Ryan): "Son, when you’re as strong as we are, accidents happen, uh, things break… "</image:title>
      <image:caption>I got the immense chance to go to Toronto to do high resolution panoramic HDRIs on the set of The Boys for an immersive experience of the sets of the new season, which was webXR based on Amazon (being an Amazon Studios show). I customized my pano head for the needs of the project to make sure I would be able to deliver the highest result as possible. I even crossed path with Starlight! Shout out to Light Sail VR and Alex Pearce (Sim-Plates) for bringing me on this.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1587084781990-3506YOQAVM98Y18VJVYX/Nomad.jpg</image:loc>
      <image:title>Case Studies - “All that we see or seem is but a dream within a dream.”</image:title>
      <image:caption>I got the opportunity to shoot this adaptation from Stan Lai theater play, into a VR narrative directed by Carol Liu, entitled “Tale of the Tibetan Nomad”. I came to San Francisco a day before to scout, a test out some of the shots. We were shooting for a stereoscopic release of the piece, and one of the main scene was happening in a yurt, which concerned me because of the close proximity (which is challenging for the type of camera we were using), and the nature of the yurt material which prevents us from doing any sort of VFX clean up. After lot of hard work, and post-production, Tale of a Nomad was selected to be part of the Tribeca Film Festival.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1632214863110-PG4S505HNZZ8J8WTPFEB/Muse.jpg</image:loc>
      <image:title>Case Studies - "Don't waste time, or time will waste you"</image:title>
      <image:caption>I got the exceptional chance to work on Muse’s Simulation Theory live action capture of their last leg of the tour. One of the most amazing concert I had the chance to see, and shoot, twice. One of the most complex challenge while shooting VR for concert is to obtain the right camera placement. There is usually ONE optimum placement, which is often in the way of someone or someone’s camera, and need to be approved by a specific chain of command, involving people I have and will never meet. At that point, my job is to propose the best placement I can estimate, and pray the proper person approves it. I went first to Portugal, with a few special select people from the team, we brought 2x VR cameras to test placements, and camera settings (stereoscopy adds a level of complexity to the capture, and because of the extremely wide range of lighting levels, there is no 1x setting that guarantees all) . After the show, I rushed to my room to offload and start rough stitching. The goal was to, by the time we are setting up in Madrid (where the show was to be shot), see the test in 3D in headset, and fine tune the rest (which required some in plane stitching. Check . We gathered with Muse’s lighting designer, once the stage in Madrid was built, and dialed in the lighting levels of the show, that the different ratios throughout the songs remain acceptable for the cameras. The rest was a skilled orchestration from our producer (Juan Santillan) coordinating each camera crew member to one of the 16 VR cameras, including some moving position during the show. The show is now released on Oculus, Android, and ios, through Stageverse. (https://stageverse.com/)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1718436545937-LYL01CXGL6C3DMNGQAOO/u2.png</image:loc>
      <image:title>Case Studies - I want to run I want to hide</image:title>
      <image:caption>This was the U2 eXPERIENCE + iNNOCENCE tour in support of their album “Songs of Experience”. (photo by ScoopJoel). This concert was similar to U2. It involved a first trip do New York, where the producer/director and myself went with 2x VR cameras to shoot the band at the Apollo Theater, which was a very unusual experience as the band does not usually play intimate venues. I got to be right next to The Edge's guitar collection. I was even introduced to him, and we discussed camera placement. I was very impressed how involved and interested he was about how the audience wold experience the show in head set. I stitched the sound check over night, and the band reviewed in headset the next day (day of the show). We came back two weeks later with 16x cameras, and a decent sized crew to shoot a full on arena show in Newark.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1765977174676-WD8BH6TOYB85U87GKW87/image-asset.jpeg</image:loc>
      <image:title>Case Studies - More Ks, more cameras</image:title>
      <image:caption>Multicam shoot using Red Raptors (8K) cine cameras, to shoot a AAA talent one of the big venues in Los Angeles. We are using modified RED and Canon’s stereoscopic lens to create an immersive stereoscopic experience, that is now exclusively on Meta TV and Meta Horizon (on Meta Quest headset).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1765467352106-SR2VONNFXFQ3COZWVSON/image-asset.jpeg</image:loc>
      <image:title>Case Studies - Larger than life</image:title>
      <image:caption>Larger than life, once of the few large sensor 360º 3D camera in the world, the Kandao Obsidian Pro has been operated by only a few selects world wide, and boasts 12K60, and can shoot raw, a currency often not accessible in our immersive industry. At least for now.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1765977506118-4K2Q2Y5EKV3VXSHZHO38/image-asset.jpeg</image:loc>
      <image:title>Case Studies - Emmy nominated camera capture</image:title>
      <image:caption>This is during the camera prep for Meta / Light Sail VR’s Red Rocks live in VR concert series, available exclusively on Meta Quest, for which we got triple Emmy nominated! Red Rocks is one of the most challenging type of work I have worked on. Concert in general are already challenging, because there are so many moving parts, an audience, restricted access during the show, there is no room for mistakes. But with RR, it is all this, with the added complexity that it is a same day set up / rehearsal (when there is) / show and shoot / strike. It requires an extremely well coordinated team, and methodology to guarantee a successful capture every time. Also… It is an outdoor venue, so there is no way to test lighting exposure for the show during set up (set up happens in daytime, show is at night). Part of my job is to take the responsibility to guess and decide of the exposure prior seing the show for our 13 cameras. Fun stuff, no pressure.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1765978809053-PKB6OKI9TSAYDV3IQBJF/IMG_7097.jpg</image:loc>
      <image:title>Case Studies - "It is the photographer, not the camera, that is the instrument."</image:title>
      <image:caption>Another BTS from the Red Rocks concert series. Knowing how to rig the camera that something not made for immersive capture functions, but also properly instructing the jib/crane op how to move an immersive camera is paramount to make sure to optain useable motions for the project. Moving an immersive camera, especially for content to be viewed in headset, is not something to be guessed, and its success is 60% execution, and 40% having watched moving content in headset (which so often underestimated).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1774336059419-ISFLFLXE87HJJV8URP1A/image-asset.jpeg</image:loc>
      <image:title>Case Studies - Emmy Win!</image:title>
      <image:caption>Sébastien got rewarded of the prestigious Emmy award for the immersive capture of the SNL50th Anniversary experience.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sebastienhameline.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525839836750-VKZ7FDLXK0QM9FIRW0CA/mailbox.jpg</image:loc>
      <image:title>Contact Me</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sebastienhameline.com/photography-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-05-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525844525493-O9HTOY4XDZAASEH0PAXV/French+Nursery.jpg</image:loc>
      <image:title>Photography - French Nursery</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525844529986-1RAG6NWN14PYJROU3F15/3+brothers.jpg</image:loc>
      <image:title>Photography - Three Brothers</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525844505436-HSPV1CG35X7HBJBU3M7J/All+the+morning+of+the+world+are+no+returns.jpg</image:loc>
      <image:title>Photography - All Mornings Are With No Returns</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525844546004-YYOC9FBPOEDZVW2M0JOB/img040+copy.jpg</image:loc>
      <image:title>Photography - Eau de Colonne</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525847899068-73D468X1TOV7HSC1XFT0/The+Chess+Player.jpg</image:loc>
      <image:title>Photography - The Chess Player</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525847922625-Q4RLK4XOL91JEIOU7GE2/Rivoli.jpg</image:loc>
      <image:title>Photography - Street Corner</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525847960282-565B42UFL77X0UFSXPQ7/Tree+Brothers.jpg</image:loc>
      <image:title>Photography - Three Other Brothers</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525847973583-GRHJJGL8FFYDAT1AN40X/chaises.jpg</image:loc>
      <image:title>Photography - The Musical Chairs</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525849314324-7U9P78HA4SVP1LHO2XT5/024.jpg</image:loc>
      <image:title>Photography - The L shaped building is the elementary school of Wulu village, the one residential street in the back.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525849198653-HKRWFYQ4ZC6GN95Y0E4Z/08.jpg</image:loc>
      <image:title>Photography - "Wulu" takes its name from the overhelming fog of the area, and from the deers that used to come by the village.</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525849515512-XV612IJX36E2MU7O51X7/Taiwan+2011015+copy.jpg</image:loc>
      <image:title>Photography - The 1st grade class, bursting of energy</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525849296594-5ZS0KJN2ENPTAZDK2UFN/rescan+024+copy.jpg</image:loc>
      <image:title>Photography - Girls have answers that boys don't</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525849740457-0UZVF8DIAG3SJE43NUWG/Taiwan+2011034.jpg</image:loc>
      <image:title>Photography - Learning the traditional Bunun singing of the tribe is particularity of this village</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525849717952-Z6ULZCKN0VS7RX0KW0D9/Taiwan+2011033.jpg</image:loc>
      <image:title>Photography - A quick peek at the neighbors is always reassuring</image:title>
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    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525849373508-83VDDTYZ58XG67T8N55E/Taiwan+2011012.jpg</image:loc>
      <image:title>Photography - The one street composing the village</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525849497954-4Y1OYDFGXQNC90Z8EB55/Taiwan+2011024.jpg</image:loc>
      <image:title>Photography - The students have a daily 45min nap</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525849435369-YT8WS6E7N13X9P4DC13V/Taiwan+2011072+copy.jpg</image:loc>
      <image:title>Photography - During nap time, we can hear objects talking to each other</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525849410215-TS5B3COLW1NBP1EVSG3L/Taiwan+2011011+copy.jpg</image:loc>
      <image:title>Photography - Chalks have their daily conferences</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525849267404-INNPKDC1VP09EJY0AXM9/rescan+032.jpg</image:loc>
      <image:title>Photography - The student living in the village walks back home, the ones living further away take the shuttle.</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525849201254-HOD51PLJA997250TDUDQ/01.jpg</image:loc>
      <image:title>Photography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525856900524-V7Y4KQCU4S6JECHE3FUN/2+face.jpg</image:loc>
      <image:title>Photography - Two Faces</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525857109595-I0ZJ22G36AC0X8FMD7QM/img263+copy.jpg</image:loc>
      <image:title>Photography - The Magician</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525856915156-7DMOTLNDID42D32IKP2R/img252+copy.jpg</image:loc>
      <image:title>Photography - Pyjama Party</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525856886297-TYK51BQ2Z6P2PPALAPAP/img247+copy.jpg</image:loc>
      <image:title>Photography - The real Magician</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525856898788-D9DY9R0RDE1QF1L11SFR/img248+copy.jpg</image:loc>
      <image:title>Photography - Vanessa posing for one of Marie's new design</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525856929569-50BCIUC9VY6SSP84II4W/img253+copy.jpg</image:loc>
      <image:title>Photography - Hat Trick</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525856942291-0PHVWX6PTFQSLNPZKCYM/img254+copy.jpg</image:loc>
      <image:title>Photography - One of the workers</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525857098563-0GFZF1ZLGG037T84II5U/img259+copy.jpg</image:loc>
      <image:title>Photography - Where hats are molded</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525857136760-5R12VDVW8Y4DWCGOKXDT/img277+copy.jpg</image:loc>
      <image:title>Photography - Marie's ideas, start on paper</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525857171986-DEL86GYPSKFMMHIKOVC5/img267+copy.jpg</image:loc>
      <image:title>Photography - On the top of the world</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525858007220-QRLXKEM2E4DHQ5K2GK9V/NM+field.jpg</image:loc>
      <image:title>Photography</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525858034439-P61OBEJR7CIQXLF6PGAU/ostrich.jpg</image:loc>
      <image:title>Photography</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525858071430-GLCST8HE2SREXVBAQR6F/Pueblo116+copy.jpg</image:loc>
      <image:title>Photography</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525858122024-MZ3SE6PAOFHXN7XP7NNH/Joshua+tree.jpg</image:loc>
      <image:title>Photography</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525858063508-5YO1HW36G47FG2I6QEN5/Hotel+vista.jpg</image:loc>
      <image:title>Photography</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525859871653-5CZHV68BABOT8O5VB0BF/Jo.jpg</image:loc>
      <image:title>Photography</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525858092064-Q5WNFEIZS8BGRSYXQXLW/img594+copy.jpg</image:loc>
      <image:title>Photography</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525858277823-5LF72IZG6YM4YVBULWRN/Griffith+pinceau.jpg</image:loc>
      <image:title>Photography</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525858294782-33NWZ39EBJ974VAAVLNZ/img601+copy.jpg</image:loc>
      <image:title>Photography</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525859381637-0VE2NJDOV65R5JTQY3VO/million+dollar+hotel003+copy.jpg</image:loc>
      <image:title>Photography</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525858160150-HM9DFNQUXLEMJ3BZP4O9/Yosemite.jpg</image:loc>
      <image:title>Photography</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525858168446-LILDYOO0YDMY3R62ALIR/Kirk+Cobain%27s+Bench.jpg</image:loc>
      <image:title>Photography</image:title>
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      <image:title>Photography</image:title>
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      <image:title>Photography</image:title>
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      <image:title>Photography</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525859323653-48GQWWCH1P9Y484ZVTB4/the+eye+of+the+son.jpg</image:loc>
      <image:title>Photography</image:title>
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  </url>
  <url>
    <loc>https://www.sebastienhameline.com/about-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525843019302-QW4HST06H5WPOKTD5OXZ/IMG_0621.JPG</image:loc>
      <image:title>About - Sebastien Hameline, immersive production imaging specialist / DP</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1590421930804-QEUM4BDSA5SIVTN0T6PR/headshot.jpg</image:loc>
      <image:title>About - Sebastien Hameline, immersive production imaging specialist / DP</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sebastienhameline.com/vr2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1525853654531-0GEFHMCH1EWRPK7XFNCT/image-asset.jpeg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>Sébastien, getting ready to drive his immersive camera on a custom remote controlled car, inside the Hall of Mirrors, in the Castle of Versailles, in France.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Immersive Production | XR | AR |  VR 360 | VR180 - Make it stand out</image:title>
      <image:caption>SNL 50th Anniversary Special - Immersive Experience Prod: Light Sail VR / Meta / NBC Universal dir: Matt Celia immersive capture specialist: and immersive custom rigging: Sébastien Hameline</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/530a6617-68e8-43c2-8529-017a9f943bc1/Ballers_HEART_OF_THE_PARK_AN_OAKLAND_BALLERS_IMMERSIVE_EXPERIENCE_-2-.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180 - Make it stand out</image:title>
      <image:caption>Google / Samsung Galaxy’s XR Heart Of the Park - Documentary part of Samsung’s Galaxy XR Headset launching content. prod: .Monks / Google dir: Matthew Christensen Immersive capture and director of photography: Sébastien Hameline / Marcus Johannes Click on poster to access YoutubeVR link, better viewed in headset.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/3f99ea01-5fb3-4620-a89d-99d736c074eb/Shawn+Mendez+Emmy.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180 - Make it stand out</image:title>
      <image:caption>Meta’s immersive concert series taking place at the world famous and iconic Red Rocks Amphitheater Produced by Light Sail VR, 7 Cinematics, Dorsey Pictures, Meta dir: Dirk Wallace Lead Immersive Capture Specialist: Sébastien Hameline Link to experience in Meta Quest: oculus.com/experiences/media/636335062238173</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/e29f5c6b-3731-4960-8739-2e39e7104fac/Charli-XCX-Troye-Savan-Sweat-Meta-VR.jpeg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180 - Make it stand out</image:title>
      <image:caption>Meta’s immersive concert with Grammy award winner Charli XCX at the Kia forum, in Los Angeles. Produced by .Monks , Meta, IHeartRadio immersive Imaging Specialist: Sébastien Hameline</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/3f63bead-6c73-4e1a-8013-d2816b586dea/TENT+KEY+ART+851X315+V1.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180 - Make it stand out</image:title>
      <image:caption>The Tent is a narrative mixed reality experience, combining cutting edge techniques such as volumetric capture and photogrammetry, that was selected as the official selection of SXSW 2024, part of the XR Experience Competition, New Images Festival 2024, and Slamdance 2025 (to name a few). Produced by The Mercantile Agency Dir: Rory Mitchell Producer, and dir. of photogrammetry: Sébastien Hameline Appstore link: https://apps.apple.com/us/app/the-tent-an-ar-story/id1634659621</image:caption>
    </image:image>
    <image:image>
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      <image:title>Immersive Production | XR | AR |  VR 360 | VR180 - Make it stand out</image:title>
      <image:caption>Interactive immersive tour of the sets of the season 4 of The Boys, critically acclaimed TV series by Amazon. Amazon Studios / Amazon Explore &amp; Immersive / Light Sail VR . Panoramic photography: Sébastien Hameline Clio nominee! Click on the poster, and hit “Explore” to visit the world of The Boys. You can move in different point of interest by clicking, or touching the hot spots. Don’t forget to look around!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1b5021d4-08b5-425a-bcc1-56cf74f7c33d/redrocks_emmy.jpeg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180 - Make it stand out</image:title>
      <image:caption>Meta’s immersive concert series taking place at the world famous and iconic Red Rocks Amphitheater Produced by Light Sail VR, 7 Cinematics, Dorsey Pictures, Meta dir: Dirk Wallace Lead Immersive Capture Specialist: Sébastien Hameline</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1740784062865-HAPC6PHVMCB6KETJ2HYT/imagine+draON.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1740784062743-5GVDUTAG4HSOWZ21LU8Z/Mackel.jpeg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1740784061822-WVH4ZX2VNR4Q8IOPNVZ4/deathcab.jpeg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1740784058886-OT9UXWJMOMMHHWD2CUEE/mumford.jpeg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1740784060732-5QGRMZF1HZBIVMU2BVHZ/legend.jpeg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1740784060301-RCFCU7620GGYIHW8624B/kook.jpeg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1740784052879-JKOOTJBVO6Q1G99QCM27/alec.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1740784056433-8SZE7737VIGOXYGDB8OH/Kelly.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1740784054636-WH8OO5SGP3F17B2CX4S0/raye.jpeg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
    </image:image>
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      <image:title>Immersive Production | XR | AR |  VR 360 | VR180 - Make it stand out</image:title>
      <image:caption>Documentary shot in virtual reality 360º in Varanasi, India. dir: Carol Liu - immersive DP: Sébastien Hameline</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/c32f9332-66ba-45bd-bca0-ecd03bcb7aa4/Sabrina-Carpenter-VR-concert.jpeg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180 - Make it stand out</image:title>
      <image:caption>Meta’s Sabrina Carpenter studio perfomance Prod: Meta, Detox Life dir: Scott Barbour Immersive Capture Specialist: Sébastien Hameline</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/dd5d8ef9-1ced-4b68-bf54-4226caba5e88/NBA-partners-with-Meta-to-stream-games-in-VR-Arena.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180 - Make it stand out</image:title>
      <image:caption>Livestream of NBA Games 2023-2024 in Meta Horizon in VR180, Production: Media Monks Lead VR imaging specialist: Sébastien Hameline</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1590433305618-PT8ZZH6Z8BKBCGLY37IT/Los+Guardianes</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>Los Guardianes is a documentary about how AI technology and rangers are preserving the Rainforest of Costa Rica. dir: Hugh Hou immersive DP: Sébastien Hameline</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1632217119623-PVWPO73X1HDR8FSN2S4E/Muse_stageverse_horiz.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180 - Make it stand out</image:title>
      <image:caption>Muse Simulation Theory - Interactive VR360 3D experience available on Stageverse (Oculus, ios, Android). Lead VR cameraman Click on poster to see 2D (non-VR) trailer.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1605725137067-RZ3R9Q87QV1FBUKTG84Y/Screen+Shot+2020-11-18+at+7.44.04+PM.png</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>One of the campaign for Disneyland Anaheim Star War’s Galaxy’s Edge. dir: Niles Roth VR DP and Rover op: Sébastien Hameline</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1590433789000-E1IXDE2FE00V9JIL98HN/Le+Musk+VR</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>Le Musk, directed by AR Rahman, is a multi sensory virtual reality cinema experience, which follows the journey of an orphaned child, full-time heiress and part-time musician. Full experience soon to be released - dir: AR Rahman - VR Cameraman: Sébastien Hameline</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1590434913324-I834BWDN5QZC1VB1G2Y2/Tibetan+Nomad_crop.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>This narrative piece is based on Chinese playwright Stan Lai's “A Dream Like a Dream.” The film was developed in collaboration with UC Berkeley Arts + Design, and tell the story of a Tibetan Shepard who goes on a surrealistic journey. Link to come once avail for viewing - dir: Carol Liu - immersive DP: Sébastien Hameline</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1590433094497-G3W3FH9XYVKYI6A4VHVW/Melody+VR%3A+Midland</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>Melody VR’s Open R takes you to the origin of the band. Available on any headset or smart phone / tablet through the Melody VR app. Click on the poster for a 180º trailer. dir: Garrett Nicholson - immersive DP: Sébastien Hameline</image:caption>
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    <image:image>
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      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>Documentary about Alessia Cara’s Growing Pains song, shot during the shooting of her music video in Spain. Production: DNE dir / DP / Rover Op: Sébastien Hameline</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1590436924547-TY8K53KX1CQJO3CWQN26/Special+Olympics%3A+Lily+Mills.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>The Special Olympics VR Series follow a few selected athletes in their home country, and tell the story of their journey to the games. This one is about Lily Mills, from the tennis UK team. Click on poster to view. Avail for headset on Youtube VR - dir: Dirk Wallace - VR DP: Sébastien Hameline</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1590439783234-XNZVBDXSEPZVZZMG2CD1/Borns+Lollapalooza+VR180</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>Backstage with Børns at Lollapalooza 2018 - VR180, best experienced in headset on Youtube VR. VR DP: Sébastien Hameline</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1590442758285-89QNPYU9VL52A59PASH2/Wiz+Khalifa+VR180.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>Part of full Google’s Rock VR180 Series Sébastien Worked on. This is the Whiz Khalifa episode. Click on poster to access the piece. Best viewed in headset through Youtube VR. dir: Michael Thelin - Lead VR Cameraman: Sébastien Hameline</image:caption>
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    <image:image>
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      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>Hulu’s On Stage multi part series takes a look at the creative process of a band. Full piece available on headset through the Hulu VR app. Click on poster to view the 360º youtube trailer - dir: Jeff Nicholas - VR Cameraman / Rover Op: Sébastien Hameline</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1590432577563-23A1QLEQ4O93D9OY4TH7/7-Miracles.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>Winner of VR Film of Raindance, 7 Miracles is available on Viveport and Google play. Ciick on poster for 180º trailer - dir: Rodrigo Cerqueira - VR Cameraman / Rover Op: Sébastien Hameline</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1590441801151-1NTB6VLVR0VF46O6S893/Delusion.jpg</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>Skybound Entertainment’s Delusion Lies Within. Full piece on Samsung VR. Click on poster for 360º trailer. dir: Jon Braver - VR Camera Op: Sébastien Hameline</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1590434692388-AAX50QSEA11RT9VRBBV5/The+Exorcist+VR</image:loc>
      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>This was the experience created alongside Fox’s TV Series. Click on the poster for the full experience. Avail on headset through the Youtube VR app. dir: David Yarvo - Lead VR Cameraman / immersive consultant: Sébastien Hameline</image:caption>
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    <image:image>
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      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>El Chema is the 360 experience created to assist the release of the Telemundo TV show. Click on poster to view the project. Avail on headset through the Youtube VR app. Lead VR Cameraman: Sébastien Hameline</image:caption>
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    <image:image>
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      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>VR Experience produced by Supersphere, to support the beginning of SWAT’s new season. dir: Jason Diamond - VR Camera Operator: Sébastien Hameline</image:caption>
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    <image:image>
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      <image:title>Immersive Production | XR | AR |  VR 360 | VR180</image:title>
      <image:caption>Sébastien setting up a shot using the Jaunt 1 camera for Le Musk, shot in Rome.</image:caption>
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      <image:title>Sebastien Hameline - immersive productions / Spatial Cinematography / XR / VR / AR</image:title>
      <image:caption>"Experience is what you get while looking for something else" - F.Fellini</image:caption>
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    <image:image>
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      <image:title>Sebastien Hameline - immersive productions / Spatial Cinematography / XR / VR / AR - Pushing the boundaries with cinematic choices</image:title>
      <image:caption>immersive capture and technology deployed in service of a vision, achieving up to 16K 90 fps.</image:caption>
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      <image:caption>Emmy winner for the immersive capture of the 50th anniversary of SNL!</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/ee7f79a0-7d66-49e3-9144-ca9662dd5712/Screenshot+2026-01-03+at+3.06.21%E2%80%AFPM.png</image:loc>
      <image:title>Trivia - Make it stand out</image:title>
      <image:caption>Sébastien Hameline lead the immersive capture of a dozen concert part the Meta series Red Rocks live in VR, and his team got featured on the RED Camera website!</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1b4395f1-21ca-474a-9a5c-b0123e8a6928/Laputa_Thesis_2.jpg</image:loc>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/73fdf213-db2e-45c0-88c2-1e2633c608c2/Screenshot+2026-01-04+at+12.28.02%E2%80%AFAM.png</image:loc>
      <image:title>Trivia - Make it stand out</image:title>
      <image:caption>Sébastien contributed to a SIGGRAPH write up, following the successful international release, and festival run of The Tent, an AR and spatial narrative experience he produced, and was director of photogrammetry for.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/b919cfd2-de95-4dfb-b9c7-ca43d1e6f4cd/Sebastien-Hameline-Metashape-Foundation-Course-for-Forensics-038-Surveying-Accupixel-Certificate-AccuPixel-Ltd.jpg</image:loc>
      <image:title>Trivia - Make it stand out</image:title>
      <image:caption>Certificate of completion of the Metashape course (Metashape is one of the specialized software that can create photogrammetry based assets / 3D models, now used in XR/VR/AR )</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/24f2c239-73d1-4978-baec-96c7a88016fc/drones_2023_02.png</image:loc>
      <image:title>Trivia - sUAS FAA License</image:title>
      <image:caption>Sébastien passed a commercial license for sUAS (drone) operation, delivered by the FAA, allowing the legal commercial drone operation in the USA. His training was done through the Pilot Institute.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sebastienhameline.com/photogrammetry</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-01-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1327f400-2125-4814-b253-fee56b0f4415/Screen+Shot+2022-09-29+at+8.57.09+AM.png</image:loc>
      <image:title>Photogrammetry / 3D Models</image:title>
      <image:caption>Wireframe of a La Croix model (see below the actual model)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sebastienhameline.com/drone-operation</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2023-12-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/1948d780-62b3-4f67-9939-93a1f696bd6d/IMG_3678.jpg</image:loc>
      <image:title>Drone Operation - Drone Operations</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5af272e6c3c16acf208090c8/77bbf30b-0cec-4fc2-8094-8c075e889a51/FAA_LOGO_small.jpg</image:loc>
      <image:title>Drone Operation - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
</urlset>

